Sunday, November 30, 2008

St Andrew's day

I mentioned yesterday that St Andrew's day is Scotland's national day and am pleased to report that Anne and I did do something towards celebrating it. We had Forfar Bridies for our evening meal and listened to Scottish music both then and afterward. And the songs we listened to were the in the main the old favourites that are so deeply felt among the Scots -- Scottish Soldier, My Ain folk, Loch Lomond, Skye boat song, Scots wha hae etc. etc.

I have spoken a little lately of how conservatives have few inhibitions about group loyalties (such as patriotism) and mentioned the Eton Boating Song as an instance of how such loyalties can be deeply felt. And I also noted at the time that loyalty or a feeling of connectedness to your own group does not necessarily imply contempt for other groups or a wish to dominate them. And the Eton Boating Song exemplified that well. And so does the Scottish song I put up yesterday. Although it is called "Scotland the Brave", it again contains no aggression or hostility towards others. It just talks about Scottish people and the beloved Scottish landscape. But it is still capable of bringing tears to Scottish eyes. The feelings it conveys are intensely felt.

So I am going to press the point a little further by putting up the words of another beloved Scottish song: Scottish Soldier. I am sure that any Leftist would immediatey assume that such a song must be glorying in the crushing, dominating and extermination of other people. But it does none of that. As a song about a soldier it does indeed refer with pride to his distinguished military past but the song is not about that at all. Once again it is about his memories of his own country whilst serving aboad and how his dying wish to be buried in Scotland was honoured.

Scottish Soldier



1). There was a soldier, a Scottish soldier
Who wandered far away and soldiered far away
There was none bolder, with good broad shoulders,
He fought in many a fray and fought and won
He's seen the glory, he's told the story
Of battles glorious and deeds victorious
But now he's sighing his heart is crying
To leave these green hills of Tyrol.

Chorus: Because these green hills are not highland hills
Or the Islands hills their not my lands hills,
As fair as these green foreign hills may be
They are not the hills of home.

2). And now this soldier, this Scottish soldier,
Who wandered far away and soldiered far away
Sees leaves are falling, and death is calling
And he will fade away, on that dark land
He called his piper, his trusty piper
And bade him sound away, a pibroch sad to play
Upon a hillside but Scottish hillside
Not on these green hills of Tyrol

Chorus:

3). And now this soldier this Scottish soldier
Who wanders far no more, and soldiers far no more
Now on a hillside, a Scottish hillside
You'll see a piper play this soldier home
He's seen the glory, he's told the story
Of battles glorious and deeds victorious
But he will cease now, he is at peace now
Far from these green hills of Tyrol

Chorus:

A point I was waiting for people to bring up was the fact that, right up to JFK, Leftists were patriotic too -- almost crazily so in the case of people like Theodore Roosevelt and the followers of Hitler. And Scots too are a very socialistic people. So how come they are so patriotic?

I think Obama worship gives us the answer. Because Leftists are more emotional, their POTENTIAL for group loyalty generally and patriotism in particular is unusually great. But the more there are things that they hate in the world about them, the more they are inhibited from giving rein to any such feelings. But when something arises that they can give undivided loyalty to, they go overboard -- as we saw in Fascism, Nazism and now in Obama worship.

So the Leftist is in perpetual conflict: He WANTS connectedness but so many things in the world about him are unsatisfactory to him that he ends up as a rejectionist rather than as a participant. In the past, it was only "The Bosses" who were the focus of his ire and he could kid himself that most of the people around him were not responsible for the "injustices" that bother him so much. Now, however, when it appears to him that even "rednecks" and "NASCAR dads" are on the side of what upsets him, he is completely alienated. He once felt that "the workers" were on his side and appointed himself as a spokesman for them. That illusion is now gone and the whole country is on the wrong track from his viewpoint. So how wonderful for him it was when the Obamessiah came along to rescue him from that dreadful dilemma and offered the prospect of reshaping the country into his desired mould!

In the case of Scotland, however, the old illusions live on. Scots still hate "The bosses" but most of all they hate England. The song that comes nearest to being their national anthem is "The Flower of Scotland". It was written quite recently but is concerned with something that happened in the 14th century! So what is going on? The secret is hatred of England. The event referred to is the Scottish victory over the King of England, Edward II, at the Battle of Bannockburn in 1314. Very few English people would today know anything about the North/South wars of the 13th and 14th century but the Scots have not forgotten. So again for a Scot the enemy is externalized and he can happily be patriotic. Hitler found the Jews useful in the same way. The English are Scotland's Jews.

In case I seem to be just blowing smoke in saying above that Leftists tend to see patriotism as implying hostility towards others, I might mention that there is a very large academic literature in psychology which assumes exactly that -- starting with the work of Adorno et al. (1950) on "ethnocentrism". I might also mention that my own survey research into exactly that question showed repeatedly exactly what I have asserted above -- that patriotism does NOT in general imply hostilty towards others. See e.g. here.

Reference: Adorno,T.W., Frenkel-Brunswik, E., Levinson, D.J. & Sanford, R.N. (1950). The authoritarian personality New York: Harper.


Posted by John Ray.

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